Raising the Dead

Emeline Upswatch, a naive 20-year-old bride, is grief-stricken after the deaths of both of her beloved parents. Now, Emeline believes she has made a grave error in moving with her husband, Randy, from her California Delta childhood home to unknown Charles Town, Virginia. She questions her marriage and herself. Marooned in grief in an unfamiliar world and intimidated by her mother-in-law, Emeline is rescued by the appearance of a mysterious older woman, Felicity, who becomes her dearest friend, mentor, and “other mother” with whom she can share her innermost feelings. Unlike Emeline, Felicity divulges nothing about her history or personal life. When Felicity disappears as mysteriously as she arrived, Emeline is determined to unearth her older friend’s whereabouts. What she ultimately discovers forces her to question her sanity, world, memories, and newfound joy.

In her second book, Jayne Lisbeth cements her reputation as a “sensitive, entertaining and deeply moving writer.” In Raising the Dead her quirky, mysterious, home-spun and loveable characters keep the reader engaged and entertained from the first page to the last.

Early reviews praise Raising the Dead as “a deep and emotional account of Emeline’s introspective journey with a wholesome, spiritual, supernatural angle ... Inspirational ... A poignant plot, with a well-structured, assured writing style, sure to appeal to a wide audience.”

The Kilborn Murders

After the reading of the will at his brother’s estate, only Eric Kilborn is left alive. He is arrested and charged with the murders of his relatives. The only other witness to what happened at the estate, Nick Roberts, has vanished, and the authorities only have Eric’s word that such a person even exists.

The el Toro Problem and Other Stories

Larry Carmody, private investigator, lives in a nighttime world of 1930s crime noir, a world of bottomless cynicism, triple standards, and scathingly black humor. There is no doing good in the world of Larry Carmody. There is only the cynicism and black humor needed to stay alive in the midst of convoluted plots and the nighttime world of crime. For some, that is. The accomplished and lucky ones. The rest perish.
In the world of Larry Carmody, you have to get the low-down. And you have to find a way out. Otherwise someone will show you the foolproof way out, by means of force-feeding you lead with an equalizer.
Larry Carmody himself says: “A case can sometimes be opened and shut in no time. It doesn’t often go down that way, but when it does, you can most often exchange the word ‘shut’ for the word ‘shot’. And I am not speaking of a shot of whisky in an instance such as this. I am using the word ‘shot’ in the sense of the main player in the case having been shot to death. Usually my client.”